EMMA
by Kaoru Mori

The deal: Emma is a completed 7-volume series released by DC’s CMX manga imprint. The covers are printed with a sort of watercolor effect on textured matte paper, which is unusual and aesthetically appropriate.
The summary: Emma takes place in Victorian England. It is about a maid who falls in love with a man of rank, and their struggle to overcome the class gap in society that separates them. They are joined by a group of rather colorful characters as the reader follows them through their trials and tribulations.
The review: Emma is the maid manga for people who hate maid manga. Instead of gratuitous cheesecake and unlikely situations, Emma presents a well-researched Victorian England, down to the architecture, costumes and dress, and representation of society. At times it seems to draw more on Victorian-era novels than it does on manga, which is refreshing.
Emma begins with the maid’s unlikely meeting with William, a man of some nobility. For William, it is love at first sight, but this is Victorian-era England, and as such there’s no gushing or declaration of love. They’re replaced instead with well-planned encounters and offers of gifts. The story follows this thread until it hits the barrier of their different classes, at which point it becomes a struggle for them to see each other through. Emma moves away, William becomes engaged to a girl from a “respectable” family, and the direction of their lives seems to continue to spiral out of their control.
Emma would have been a cute story in and of itself, but what really makes it so much fun is the colorful cast of characters within. Hakim, the eccentric Indian playboy prince who arrives on William’s doorstep with a herd of elephants and a harem, the German couple who take Emma in when she is looking for work, William’s mother, and the gaggle of maids and servants that Emma works with are but a few members of the dynamic cast found within the book.
Each volume is also closed out with a mini-comic from the author herself, where she talks about herself and her work on Emma, which is a fun bonus.
The ending leaves a lot of questions unanswered, though, and I hope that the eighth pseudo-volume of short stories helps clear these questions up.
The recommendation: This is a romance manga recommendation from the guy who really hates romance manga. I really enjoyed Emma for two reasons: the fantastic cast within and the realistic representation of Emma and William’s romance within the setting. Everything is very subtly done, with blushes and expressions often speaking much louder than words.
From CMX, Manga, 7 volumes, $9.99
GRAPHIC ARTISTS GUILD HANDBOOK: PRICING AND ETHICAL GUIDELINES
Twelfth Edition

The deal: The Graphic Artists Guild Handbook: Pricing and Ethical Guidelines is a handbook for graphic artists (this includes but is not limited to illustrators and designers of all kinds). A new edition is released by the Graphic Artists Guild each year. As a sidenote, the book is oddly sized.
The summary: The Handbook is a hefty volume chock full of information for today’s professional illustrators and graphic designers. It answers a lot of questions about how to handle situations with clients, what you can ask for and what you can’t, as well as very handy price charts that outline the current going rates for particular types of work. It also contains sections about contracts, which allows graphic artists to arm themselves with the knowledge they need to be treated fairly in a professional scenario. It also contains recommended reading and resources.
The review: This book is a must-have for graphic artists, especially freelancers. Many basic questions like, “How much should I charge?” and “Do I get to retain rights to work I create?” are answered in this book. It is a reference book that ought to be on every freelancer’s shelf. The types of work are broken down into sections, and it is extensive: Corporate Graphic Design, Branding Design, Package Design, Typeface Design, Photo Illustration, Broadcast Design - the list goes on. It also explains some very important concepts, including the dreaded Work-for-Hire clause that has trapped many, many illustrators and designers.
Design and Illustration are not always seen as “real” work by other industries (although that has changed immensely in recent years), and as such professionals are sometimes under-compensated and … well, I’m going to go ahead and use the words ‘tricked’ and ‘fleeced’ by people who know how to use the words of a contract against them. This Handbook allows you to educate yourself against being trapped into unreasonable contracts and situations.
The recommendation: If you’re a graphic artist, especially a freelancer, pick this reference book up. It can be invaluable.
From Graphic Artists Guild, $35.00





